directed by Menahem Golan (1980)
Trying to cash in on the success of Grease and Rocky Horror, the makers of The Apple weren’t terribly ambitious with production values. Their future is one of hologram stickers and aluminum foil but their expectations of how the world would change by 1994 (!) were ambitious indeed. Surprisingly, we are not all being controlled by the devil with holograms and pop music… or are we??
A totally eye popping crazy thing, The Apple is worth at least one viewing in your life. The Adam and Eve parable that could only be described as both dumb and fascinting has become a bit of a cult classic, though to be perfectly honest, it wears a little thin after about an hour.
But just know that between the seemingly unending weepy songs there is a simulated sex dance that looks like it takes place in a Sleepy’s in heaven and a floating car in the sky that abruptly ends everything (though not in quite as cool a way as it does in Repo Man).
The fact that this is a German made film is clear in a million little ways, but the leading lady is unmistakably Canadian, with the kind of slutty, round faced loveliness that I never fail to be charmed by.
Trashy fun, this gem can be seen on Netflix streaming and even if the plot lacks a bit, some of the songs are undeniably catchy. Plus there’s ton’s of latex jumpsuits, see through rain coats, studded everything, and diamond encrusted grills.
It has the dubious distinction of being one of the few movie musicals not made into a live musical. Seems about time to change that, no?