Spend a Couple Hours

From the week of March 7th, 2010

Blue Jam

Surreal Radio Comedy

If you know Chris Morris, you probably know him from the precursor to The Daily Show, The Day Today or from his more extreme and controversial Brass Eye. While the epically strange radio show Blue Jam has bits of that off the wall take on real life humour (a woman describing organized baby fights for example) this is a far, far more somber and surreal trip than faux documentary tends to offer up.

I received this well sought after (well, among a small subsection of American Chris Morris fans) in a very serendipitous way. I had stumbled across its existence while researching Snuff Box and no more than a few weeks later, our dear friend Matthew (who often has cult and rare pop culture goodies to share) had it ready for my hot little hand without me ever mentioning it once.

The sometimes hypnotic, constantly inappropriate, and poetically absurd show, of which there are hours and hours of, is nearly indescribable, which I realize is extremely lazy to say, especially when you are trying to describe it to others but there you are. It also, particularly if you are already on the darker side of moody, puts you in one hell of a head space. It is hilarious in its own way but I’d be extremely weary of who you might recommend it to. While it grows on me more and more, I think this could be one of the most brilliant finds I’ve had in a while, it is beyond being an acquired taste.

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From the week of February 21st, 2010

Facial

35 E 1st Street

My very first facial was serene and relaxing at Sakura Salon (home of the awesome manicures I’ve raved about). They have a small, secluded spa room where the sounds of ocean waves and birds chirping really take you away. The woman was gentle and the products were nicely scented… it was thoroughly peaceful. I had a gift certificate for a mini facial (thanks again Astrid!!) but opted to extend my treatment to a full hour, which includes a neck and shoulder massage and extractions.

I had been warned that extraction could be painful from friends, but it really wasn’t bad at all. If you need to be pampered, this is certainly a very excellent way to go about it.

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From the week of January 31st, 2010

Ugly Sweater Party

Wintertime Funtime

Friends Astrid and Marcus are hostess and host extraordinaire. Just take a look at the photo-montage that adorned the invite of this month’s party, which, in acknowledgment of the frigid temperatures, was ugly sweater themed – you’d be amazed just how easy they are to find.

Several guests discovered an abundance of suitably unstylish garments at an Upper West Side Salvation Army, while Jim skipped the “vintage” route and pulled about half a dozen options right off the rack at one of the many discount shops on Manhattan Avenue right around the corner here in Greenpoint (you know those shops with the outdoor racks of faux Calvin Klein). Note the unusual length and half mock neck that passes for fashion in today’s world of Cosby sweaters.

I got my bejeweled masterpiece years back while in Austin, just knowing that some day it would come in handy…

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From the week of January 17th, 2010

Wishful Drinking

At The Roundabout Theater

“It’s not like some funny Shakespeare play!” said a ninety year old, wholly perplexed and angry man in the row ahead of upon the conclusion of Carrie Fisher’s delightfully foul mouthed Wishful Drinking. Got to love the matinee crowds, right? But he’s right, it’s not like some funny Shakespeare play! It’s a sometimes sad, sometimes heartbreaking but more often completely hilarious examination of a crazy life by a crazy lady.

Fisher is my kind of person, a sarcastic strong-willed kook who takes what life gives her and rather than lemonade, mixes a stiff drink. The details of her life: mental illness, broken families, alcoholism, addiction, death and loss are not the stuff of usual comedy fodder, but in the raspy voice of the former space princess, you’ll find yourself laughing.

We saw one of the last performances (it ends today) so Fisher had perfected the timing and the pacing. Hopefully, with its success, it will be available on DVD at some point for anyone that missed it live.

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From the week of December 20th, 2009

Rifftrax Live Christmas Shorts-stravaganza!

christmas rifftraxin Theaters Nationwide

Demonic toys come to life, pork-themed three-part harmonies are mocked by Weird Al Yankovich, a Santa of David Lynch-caliber creepiness orders around pants-less elf boys, a toy dog named Gaylord rolls over, a nude doll haunts a little girl’s dreams, the Ding-a-ling toy universe with its King Ding shocks some poor kid – this is not your typical holiday viewing, but the selections from the ever charming Mike Nelson and crew of previous MST3K and current Rifftrax fame for their RiffTrax Live Christmas Shorts-stravaganza!

Performing live in Minnesota but projected in many theaters across the country (we watched from the Chelsea location), they riffed on several Christmas shorts. If you’re familiar with any of their shows and projects, you can imagine the hilarity.

Make sure you try out their Rifftrax on many beloved films, such as Cocktail, Glitter, and The Happening on their site.

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From the week of December 6th, 2009

See Phish

Phish at MSG 12.3.2009Fall/ Winter 2009 Tour

There’s a real difference between armchair analysis and actually being a part of the crowd, and when Dan and I saw Phish at MSG the other night, the experience differed, as you can probably imagine, rather tremendously from listening to a bunch of MP3s on Nugs.net.

I hadn’t seen a Phish show since Astrid and I went our during our last year of school – practically another life: this was back before the Providence Civic Center was re-christened Dunkin’ Donuts Center – so I was a bit out of step and a couple things struck me right away.

First of all, the music is front and center – for hours. Without a cluttered desktop full of stuff to do, Outlook’s auto-receive scheduled for every 3 minutes and, of course, coworkers, there are relatively few distractions (though there are definitely a few distractions) and the takeaway isn’t in the details (obviously you can’t scrub back to that amazing moment at 12:39), but the entirety of the experience.

Ebb and flow, tension and release, lighting effects and glow-in-the dark-bracelet-throw-cues; the whole thing kind of melds together, laying bare the structure nearly every song adheres to and the band’s truly unique sound-vision. Absolutely no other rock act so successfully fuses what is essentially contemporary jazz, good old fashioned crooning, traditional rock blues, tone-based alien landscapes, overly ambitious college-level compositions and unadulterated white, duct-taped-brimmed embroidered collegiate cap funk. After a couple of hours the distinct aural experience becomes more than familiar.

‘Precocious’ may seem like an unusual descriptor for someone who’s a well established virtuoso, but the personality of the playing, which I can best sum up as kind of a nerdily frustrated musical theory major (they’re just not teaching what I want to learn, dude) who happens to be super into showing off (which I guess probably isn’t all that unique a character combo), makes for alternately sublime and confounding music.

The continual escalation, the nearly infinite ratcheting up of every song, results in one ‘Can you believe I’m even playing this?!’ moment after another. This can go one of two ways: it can blister and ultimately kind of numb, like the incredibly intense David Bowie that closed the second set, or it can truly wow, like the breathtakingly necessarily over-complicated Fluff’s Travels, which was just absolutely stunning to behold as the band navigated its way through what felt like dozens of sound-scapes drawn in cartoony broad-strokes, literally turning on a dime several times a minute.

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From the week of November 22nd, 2009

Urs Fischer: Marguerite de Ponty

urs fischerat The New Museum through Feb. 7th, 2010

The Urs Fischer exhibit currently taking over three floors of the New Museum is wonderfully unusual; every time the elevator doors opened, I was taken aback. The first floor is cluttered, to a collage-like effect, with large, mirrored boxes screen printed with non-scaled objects like cupcakes, meat, VHS tapes, CD cleaners, telephone booths, running shoes, high heels, photography books and (most oddly) an Ashanti cardboard cut out. I wrote down some of the books titles (Schweizer Sagen, Marius Pictor fotografo) to get an idea of why he picked these particular objects to display together, but I think that maybe the objects themselves are irrelevant and he’s more in awe that all these objects coexist in our world… but you’d have to ask him.

The second floor whisks you to an entirely different environment and mood. The walls, seemingly sterile and gray are actually wallpapered with photographs of the room itself. Whether through lighting or the tints in the photos, the walls offer amazing shades of color the longer you look at them – the perfect backdrop for a candy purple melting grand piano – and as you peruse the room, a few moments of unexpected humor. It’s rare to see so many gallery goers actually laughing out loud in an exhibit.

The third floor again, takes you to another world, this one full of gigantic metal sculptures made from tiny pieces of clay he pinched together then sent away to be replicated many, many times larger. Within these twirling, hulking, silvery shapes is a bright pink melting lamp post, a skeleton covered in dirt, muck, and lint, and the one piece I just did not “get” at all: a cake and travel bag floating above a subway seat with ceramic slugs.

In fact, what any of it all means escapes me entirely – but I felt transformed, like I was walking into an environment like none I had ever experienced before, and I found the whole thing fantastic.

Click here to see the rest of Urs Fischer: Marguerite de Ponty

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From the week of November 9th, 2009

Brooklyn Bowl (Worst Way to Spend a Couple Hours)

Brooklyn BowlIt's really unlike me (and admittedly unfair) to condemn a place that I have not been to myself, but the aura surrounding Brooklyn Bowl leaves me uneasy. Actual threatening and muscle-bound door men, velvet ropes, a line of parked Escalades with yellow license plates crowding Wyeth, overpriced bowling and shoe rental and all the hype surrounding its long awaited opening deliver a singular message to us locals: this place is not for you, it's for assholes that read about it on Urban Daddy.

Even a sure to be excellent menu from the people of Blue Ribbon has yet to get me past the idea of a velvet rope… but a friend of ours did attend a recent DJ Spooky iPhone App Launch Party; let me repeat that: a DJ Spooky iPhone App Launch Party.

Some day I might bring myself to try the place out, all prejudices aside during their happy hour, and if, at that time, I find out that I'm wrong and the place is a secret shining destination of non-obnoxious good times, I promise to write a glowing review and apologize.

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From the week of October 26th, 2009

Halloween Party

I may be getting old, because Jim and I used to host parties every other month or so, but now we're down to just two a year. Fortunately, they are fantastic ones – and our Halloween Bash is the best. I'm always impressed with our friends' costumes, and here are just a few photos from last year that include my sister as Andrew Dice Clay, myself as Purple Rain era Prince, my friend Laura sporting stigmata and Jim as the Love Guru…

'd like to think that I'll have the skill and patience for some Martha Stewart-caliber decorating and recipes, but my friends may have to settle for what my local dollar stores have to offer and some mad scientist shots.. which is pretty much what they've come to expect without complaint.

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From the week of February 28th, 2010

Jon Brion at The Largo

366 N La Cienega Blvd.
Los Angeles, CA

Our good friend Matthew  made sure that one LA experience we had was a Jon Brion show, so I felt absolutely horrible when Jim, Laura and I began dozing off early in the performance!! In our defense: we were totally jet lagged, it was warm and dark, and Brion was playing soft, Aimee Mannish piano tinkles that could easily be released on a collection of lullabies.

But things got wildly entertaining and even the most tired of us perked up when Brion began a mind-bending and mind-blowing cover of Tomorrow Never Knows complete with a Maria Callas video loop, his own looped drumming and guitar, and video of a great looking George Harrison. The rest of the evening consisted of more audience-requested covers (though none of mine took: Sex in the Kitchen, Pony, Thunder Road…) including a xylophone and audience participation version of Don’t Stop Believing, a trippy Wish You Were Here and a straight forward acoustic rendition Gigantic. It was invigorating and amazing to watch: every element of the songs he performs is created right in front of you. He’ll start on the piano, then drums, loop them then add guitar, loop that, they play around with video and voice… it’s totally amazing.

I had no idea what I was in for: admittedly a dunce when it comes to the modern soundtrack scene of Paul Thomas Anderson, I figured Brion was a comedian or something, but in fact he’s the highly respected genius behind not only the (PT) Anderson soundtracks, but the production of Aimee Mann, Rufus Wainwright, Elliott Smith, Kanye West, and Fiona Apple records!

At the new Largo location, the show seems to be almost monthly and sells out quickly; be sure to arrive on the early side to get pick up your tickets if you desire up close seats.

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From the week of February 7th, 2010

Bloody Valentine Party

For Those That Adore Gore

Not everyone is into the flowers, chocolates, hearts, and candies associated with Valentine’s Day – those particularly disinterested in the holiday’s Hallmarkiness might just want to take a page from my friend’s book and host a Bloody Valentines Day Party instead of snuggling by candlelight.

As many of you know, I’ll get into costume at the drop of a (top) hat, since Halloween but comes once a year, so I’m totally looking forward to this party.

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From the week of January 24th, 2010

Sakura Nail Salon

35 East 1st Street

Sakura Nail Salon is one of the few spots in the city where you can get Calgel nail art, a nail-healthy, shiny polish that protects nails as it makes them look totally awesome. While the artists (Fumiko and Hitomi are the best!) can create nearly anything your heart desires (I toyed with the idea of cats on thumbs) one of the most popular treatments is the ombre manicure. I opted blood red fading into clear, which allows my nails to grow without an obvious line where the manicure stops and gives me the look of a vampire that’s just had a messy meal. I added some bling in way of crystals on my pointer fingers. Astrid went bolder in color and got blue fading to black with gold lightning bolts on her thumbs. (see photos below/after the jump.)

Really, the only limit is your imagination. Online I saw a Mondrian manicure which is quite enviable; black lace, which was requested by a young French woman while we were there, would also be cool. Sadly that girl was super pissed because it wasn’t possible – which leads me to my biggest warning/recommendation: Make an appointment!! and specifically ask for Calgel Nail Art if you want anything special, otherwise you’ll be pencilled in for a regular (though, surely wonderful) manicure and look on sadly/angrily as those with more diligent phone skills get all sorts of specialness on their nails. The calgel manicure takes about an hour and a half.

True, it’s a pricey treatment, especially with any add ons like crystals, but, in theory, Calgel can last at least three weeks, which makes the high price a little less shocking. Regular manicures, by the way, without the ever-lasting Calgel, are comparably priced to other salons. The ambiance here is serene and friendly and the staff offers all sorts of discounts to bring you back. For example, you get 30% off if you come back with a friend. And speaking of friends, I want to thank my friend Astrid once again for what is probably one of the coolest birthday gifts ever! Think she may have started a personal, money leaking obsession…

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From the week of December 26th, 2009

Tim Burton Exhibit

tim burton moma
at the MoMA, 11 West 53rd Street

In what must be the museum’s most talked about exhibit of 2009, the life’s work of the darkly comic and inventive Tim Burton is on vibrant and thrilling display now through April 26th. The scope of the work, from his teenage short stories about evil doctors to his latest sketches for the yet to be released Alice in Wonderland, is impressive and truly inspiring.

The exhibit opens with a kooky black and white walkway playing some of his Stain Boy cartoons, which makes you feel like you’ve walked onto one of his sets (you’ll also feel a strong urge to re-watch Beetlejuice). Next comes the circusy black-light room with a moving carousel Burton made especially for the exhibit – all of the sculptures, including this one are fantastic (I especially love the crazed Campbell soup kids singed by fire) and be sure to look up as some are hung quite high. Many of the sculptures were created by Rick Heinrichs and Neal Scanlan Studios.

Just as cool as the huge 3-dimensional works are the simple and whimsical sketches. Among my favorite are The Teenager, Little Dead Riding Hood, and the monster drawings.  It’s also very awesome to see some of the iconic costumes and props from his films, including the Ed Wood’s angora sweater, Cat Woman’s get up, the Edward Scissorhands costume, and a crazy-in-person textured headless horseman cape.

As a fan of Burton for years, I was particularly tickled, but even coworkers who were not familiar with his work became enamored of his amazing imagination.

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From the week of December 13th, 2009

New Amsterdam Market

new amsterdam marketat the South Street Seaport

I ‘m giving you ample lead time to plan on attending the next New Amsterdam Market (Dec. 20) because I don’t want any of you fellow food lovers out there to miss out on such a unique, lovely, and delicious event. I do have one word of advice, though: do not fill up on Anella’s brunch burger before hand (as superb as it is), because if you’re like me you’ll have no will power against the tasty treats laid out before you (fresh shucked oysters,  how could I say no?!) and those foods you do manage to say no to, you’ll later regret not pigging out on.

Things we did try that stand out? Said oysters from the friendly W&T Seafood stand (we opted for the Moon Shoal), pulled pork on crisps from Jimmy’s, a lemon tart pie, and ice cream from the Bent Spoon.

Things I will go back for? Lobster rolls (despite a crazy long line), chocolate black truffle caramels, a black skinned duck, perhaps some balls (testicles), and pretty much everything else I missed the first time around. See you there!

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From the week of November 29th, 2009

Brooklyn Flea, DUMBO

brooklyn flea dumboSundays at 22 Water Street

It’s taken me years to make it to the Brooklyn Flea market, and we really couldn’t have chosen a nicer Autumn day for it. The golden sun over the bridge really brought out the hues in all the Native American blankets, fresh baked macaroons and taxidermy that abounded.

I had very little cash on me, which was probably a good thing for my finances, because I could have surely found lots of vintage items for myself and Jim. For the five I had in my pocket I did walk away with a great girl soul pop CD compiled by einsteinorockafeller@gmail. On another trip I’d be sure to bring more money and an appetite – the chocolates, baked goods, and lobster rolls all looked delicious.

The market takes place every weekend, Sunday in Dumbo, Saturday in Fort Greene, but make sure that if you are driving or taking a long train ride that you’ve looked up the correct Brooklyn Flea market. We ended up initially driving to a lonely lot in Park Slope with not much more than incense burners being hocked on the asphalt.

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From the week of November 15th, 2009

Eccentric Soul Review

eccentric soul reviewAt the Williamsburg Hall of Music

A concert is never more enjoyable than when the performers seem to be having just as much fun as the audience, and I’ve never seen and more mutual enthusiasm than at The Eccentric Soul Review at the Williamsburg Hall of Music. Several one-time soul artists who peaked in decades past were there to share the stage with each other and today’s voice of soul from Chicago, JC Brooks and The Uptown Sound.

Both Brooks and Eccentric Soul will be familiar to regular readers of this blog, so of course I was quick to get a ticket. Also, as I may have mentioned before,  a great friend of mine (since my long ago elementary school days) plays guitar and masterminds the Uptown Sound; it’s always a delight to see him strutting around the stage.

The show, which was quite crowded with eager, hip faces, began with my favorite act of the night, Renaldo Domino, who’s signature pleading song Not Too Cool to Cry is still playing in my head. Next out was Harlem rapper Miss Missy Dee who slammed through a brief performance with her MC and was once a rare female voice during the birth of hip hop.

The Notations, a white suited four man band who had a pretty big hit with the song I’m Still Here, came next and wowed the audience with their charisma and me especially with some impressive a capella.

JC Brooks, who really has a dynamite presence on stage, along with the band, which backed all the acts, delivered some particularly electric performances.

Syl Johnson was the headliner of the night, though, and he was one wild cat. Seemingly drunk, though I’ve since been assured that his rambling exuberance is simply his signature performance style, he sang many of his oft sampled hits, occasionally repeating just who sampled him (the words Wu Tang clan came up again and again).

The finale was a rousing rendition of You Can’t Always Get What You Want featuring everyone back on stage. It got the crowd so psyched that the artists had to return for one last song: The Tighten Up, originally by Archie Bell.

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From the week of November 2nd, 2009

Grace Jones

This is how I felt back on July 27th:

We're going to see Grace Jones! We're going to see Grace Jones! We're going to see Grace Jones! We're going to see Grace Jones! We're going to see Grace Jones! We're going to see Grace Jones! We're going to see Grace Jones! We're going to see Grace Jones! We're going to see Grace Jones! We're going to see Grace Jones! We're going to see Grace Jones! We're going to see Grace Jones! We're going to see Grace Jones! We're going to see Grace Jones! We're going to see Grace Jones! We're going to see Grace Jones!

See images at RC.

RUNNERS UP:
Richard Avedon at ICP
Fleetwood Mac Live
William Eggleston at the Whitney
Odds Costume Rental Sale
Daniel Kitson
Japas 27

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